‘Refreshing the Curriculum with RSD: A Symposium’ will be held at Monash University 27 November.
Symposium program is now available at http://www.adelaide.edu.au/rsd/docs/121027_RSD_SymposiumProgram.pdf
Register Now at www.rsdsymposium.eventbrite.com
An article on eFirst for those who can access the HERD journal.
Outcomes and uptake of explicit research skill development across degree programs: ‘Its got a practical application in my world’. http://www.adelaide.edu.au/rsd/study
I was by the water yesterday, when out of the silence came a load ‘splash’. I broke out my camera, and managed to capture the next one.
‘What caused this splash?’ Questions of curiosity lead somewhere, but often to unexpected places…
I’d like you to see if you can work out what caused the splash. I will ask you a few guiding questions, and provide more information on the way. Formulate a hypothesis, if you will, test, discard, reformulate and see how you fare against the evidence that follows.
Have you seen a splash quite like this before? If so, do you think you know what made the splash?
Was the splash made by an animate object (such as a frog or bird) or inanimate object (such as a stone thrown in the pond)?
To answer this question, look at the features of the water that are evident, and mentally list them. For example, consider features of the splash, such as apparent height, size of droplet, symmetry etc. Also consider other features of the water, including its undisturbed state, the zones under the splash and in front of the splash.
Now consider if each feature on your list may be more likely to be created by animate vs inanimate object, and decide which is more likely.
What is your working hypothesis? The next photo gives some more clues.
What type of animate object do you think this is?
Consider the apparent size and shape of the body part and what it is covered with (eg fur, feathers, carbon fibre, etc). Describe the shape of its bow wave, and its wake.
Now consider if each feature on your list may be more likely to be that of an invertebrate (eg squid), bird, fish, reptile, amphibian, mamma, or other animated object.
What is your current hypothesis? The next photo gives some more clues…
… but what IS that?
Look at the features of the apparent head and the back parts. Does this extra evidence fit your hypothesis? If so, does that mean you are correct? No, but you can continue to test against the emerging evidence. If not, then rehypothesise, or better, have several working, even competing hypotheses!
Have you also considered the habitat eg plant life, any features (eg ice, sandbanks, etc)?
What will the final photograph do for you?
If you are from certain part of the world, your hypotheses may be quite different from those from other locales. For example, if you are from South America, you may be hypothesising ‘anaconda’. If you are from the arctic region, you may be saying ‘polar bear’. Of course exeriences, whether in the wild or with media, will also shape how you interpret this visual information.
By the way, did you ever ask yourself ‘where is this?’ or ‘what type of water system?’
Why not add your current hypothesis or hypotheses to the comments for this blog? Could be fun to see what people think!
Part 2 of the blog will give you further evidence to test your hypothesis against…
John W in New Jersey (a big hint) for the Council on Undergraduate Research Conference.
Here I am at departure gate 60 Sydney airport waiting to fly to
I am going to the Council on Undergraduate Research conference, at the College of New Jersey.
One presentation I am giving is called Research Skill Development, Fresher to Professor….
But waiting here, it makes me wonder if the 45 min delay on boarding due to ‘the catering’ could have been avoided: maybe they could have a group of undergraduate business students research their catering business?
Embark: why/how/ or did caterers hold up global travelers?
Find: what were the superficial and underlying reasons for delay?
Evaluate: can they trust the sources that pointed the blame at ‘someone else’
Organize: how do students arrange the diverse types of information they have gathered or generated so that thorough analysis can happen.
Analysis & Synthesis: how can they make sense of possibly divergent data? How can the bring all this info and anlysis together to Answer the questions about underlying reason
Communicate & apply: who will they tell? What difference will their findings make?
ANYWAY, WE ARE NOW BOARDED AND READY TO FLY.
Hope the food is good!
20 June 2012
I suggest that research without communication is not research. In some disciplines, research is seen primarily as the generation of appropriate data, whereas in others communication is a core component. Whatever the emphasis, we know that others will not regard our research unless they can evaluate its worth, and this requires communication.
The facet of the Research Skill Development framework that concerns this is:
Communicate and Apply, being fully mindful of ethical, social and ethical issues (Facet F)
Communication often begins early in the research, when students talk to academics, other students, library staff and academic advisors about their research direction. They solicit feedback on question formulation, ideas, structures, processees as well as communicating preliminary findings, improvements and further enhancements. Communication will frequently occur as an end product, explaining to an audience exactly the directions taken and why as well as research outcomes and answers. However, this communication will often result in subsequent improvements, leading to a fresh cycle of (re)embarking on a refocussed inquiry.
Communication enables others to apply our research, and enbles us to apply theirs. Moreover, if we have not considered others’ research first, that is drawing on their research communication, then we run the risk of developing known knowledge. Moreover, if we develop new knowledge but tell noone else, we do not get this attirbuted to us and others will not know about our work.
I suggest that the motivation behind communication and application, fully mindful of ethical, cultrural and social issues, is to be:
This is a drive to build, not tear down. Linked to the affect descriptor for the first facet of the RSD, the motivation of being or becoming curious, together they suggest an engagment with the world that is inquisitive, yet treads lightly as possible in the drive to find out, that is respectful and harmonious.
I wondered to myself recently if ‘resiliance’ can be learned in a formal educational environment. You could learn some strategies for what to do when… you get bullied… or fail… of lose something that you cant get back. But its hard to say if anything except for those kinds of experiences can teach you to be genuinely resiliant.
Maybe the same could be said for innovation. Can students be taught to be innovative? The fifth facet of the Research Skill Development framework is ‘Students analyse and synthesise new knowledge’. When we have a good hard look at what we have before us (analysis) and work out how different pieces can fit togther in novel ways (synthsise) we have a potentially innovative process going on. Students can be taught to analyse and to sythesise, but does that mean they can be taught to have that ‘spark’ that takes the process into innovative territory?
The affect descriptor that runs parallel to the cognitive domain of ‘analyse and apply’ in the RSD is:
Arthur Koestler realised that: ‘Creative activity could be described as a type of learning process where teacher and pupil are located in the same individual’. So, how can students be taught to teach themselves to be creative? Providing safe conditions for risk-taking, modelling and providing further models of creativity, and valuing and rewarding creativity are starters. Removing whatever stifles creativity may be another way, including:
- fussyness (referencing requirements for first year students comes to mind)
- overly-prescriptive instructions
- the flipside, lack of clarity or of boundaries
- sterile learning environment
- isolated students
- excessive work load
- low teacher expectations
Providing the positives and removing the negatives provides an environment more conducive to students ‘teaching themselves’ to be creative. The need for innovation and creativity in research are absolutely pivotal to developing knowldge that deals with the supercomplex environmental, social and financial issues of the twenty-first century. As Einstein noted:
Knowledge is limited. Imagination encircles the world.
Do you think innovation, creativity and imagination can be taught? What examples do you have of students developing their creative thinking, especially in the context of research, research question posing and innovative methods?
There is a big difference between finding a lot of information and having appropriate ways to organise the information, so that it may be readily synthesised into coherent new understandings. Likewise, data generation is one thing, but having a repertoire of ways to arrange it, so as to reveal trends is a most vital aspect of researching. And having a structured approach to research processes can greatly assist addressing research questons or problems.
The forth facet of research on the RSD framework is: Organises information and data, and manages research processes
Information may be organised in notes, mind maps, explosion charts, and data recorded in logs, spreadsheets and various digital devices. Discipline appropriate ways are used to represent information and data as reports, essays, other prose, with charts, tables, graphs and diagrams, the organisation of which is also determined by the communication medium. On top of the complexities of organising appropriate combinations of these, and ordering coherenty the items, the whole research process needs to be managed within time, resource and knowledge constraints. It is no surpise then that this facet stands out as the one that is least likely to be developed by students, according to our research so far. For example, in year-later interviews, very few students noted that their organising skills had improved, whereas numerous other skills were explicitly noted as having improved.
One of the implications of this is that students need more modelling, structure and guidance to be able to develop organising and managing skills. It also suggests that there may be a need, in terms of the affective domain, for students to be motivated, not to be haphazard or slapdash, but to develop a feel for:
- Where harmonising students dont just arrange information, but desire a way to order it in discipline-appropriate ways that throw light on the phenomena under investigation. Where their attitude, egged on by curiosity and compelled by determination, would be to harmonise so as to wreak order out of appearant chaos, and to manage the research process in ways that bring the best out of people and constraints. A harmonising student is one who resonates with the same frequency as research data to see that which is otherwise hidden. As Albert Einstein admonished:
Out of clutter, find simplicity.
This is the desire to order in a way that provides a deeper understanding, a simplicity or, in some disciplines, an elegance. This is where organisation and managment are servants to understanding, where a harmonising student is able to reveal where fresh knowlwdge can be found.